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Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Thursday, July 28, 2011

New Poem for Friday Poetry Fest

 Draft written for Friday Poetry Fest-- join us. xxxj 



Poplars in July

I do not know where either of us can turn
Just at first, waking from the sleep of each other.
I do not know how we can bear
The river struck by the gold plummet of the moon,
Or many trees shaken together in the darkness. 

Leave-taking, Louise Bogan


Tell me how the silver poplars
Edged their way in year on year
First along the lip of the creek
Then surrounding the pens
We built for the golden dogs

Sure of foot and deep of root
They planted themselves
And sweep the hours
Dawn to dusk—they recall
The calumnies of the old farmers
Who drove broken plows
Into the creek and left them there

Who it was that shot the beaver
With an arrow through the heart
And dared to be glad of it.

Poplars have I fed you
With the bodies of the gilded dogs
The champion to be and his get
The puppies too small to thrive

The moon has wept over you—
Its amber tears harden
On the roof’s edge
The mutinous young owls
Lift from your branches

One day I will not see you
I will be tucked away
Into the life of the threadbare

The sky drinks your chlorophyll
So that it can stay strong
For we who cling to the earth
We whose gravity pulls like a fever
At summer’s verdant heart.



cc

copyright Jenne' R. Andrews jenneandrews2010@gmail.com 

8 comments:

erin said...

i wonder how closely you live with nature. it seems to me you are there with your fists in it. or rather, you are there and it has its fists in you.

unforgiving poem. perhaps the best kind. now it has its fists in me.

xo
erin

Zoe said...

The moon has wept over you—
Its amber tears harden
On the roof’s edge

LOVE it!!!! This lament strikes deeply - tonight will see me hugging my knees as I silently weep through the cold winter night.

Kerry O'Connor said...

I think this may be my favourite of any poem of yours I've read Jenne. No words of mine in praise here can match what you have written.

Just read...

Mystic_Mom said...

Jenne, this is just stunning...you weave together so much with an economy of words, and yet the images don't just overflow, they come together and at the end I want you to keep telling me more! More!

River said...

I really like your style. I don't believe I have read your work before. So thank you for visiting me to bring me to you. I shall blogroll you so I am reminded to come again. Beautiful piece.

Also, I would like to invite you to summit to The River. info on submissions
http://theriverpaper.wordpress.com/

Jenne' R. Andrews said...

Thank you very much, each of you. I do adore those leaning, singing trees, reaching to heaven. xxxj

Uneven Stephen said...

Awesome, so beautifully descriptive and though-provoking. "Sure of foot and deep of root" and "One day I will not see you / I will be tucked away / Into the life of the threadbare" are a few of my favorite lines. I'm so glad I stumbled unto your poetry today!

Timoteo said...

Echoes of my childhood in farm country...stunning work.