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Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Tuesday, February 15, 2011

For Want of a Nail, the Kingdom Is Lost....

I have resisted writing a nuts and bolts thing like this for the past few days, having rent my garments and gnashed my teeth at Loquaciously Yours, taken my post down, revised, cut, put it back up, but as this blog reaches a relevant audience,  it has become necessary for me.  Thanks for reading.

I met Washington D.C. arts maven turned poet I'll call Vassar Belle for the moment last winter and we began to support each other's work, giving each other many accolades.  I founded an online  writers' group she joined and we became good friends.  I'm a very open person and I've posted quite a bit about me on both of my blogs to which she responded lovingly and supportively, and I came to immensely value her input and to be grateful for her presence in my life. She encouraged me to join the One Stop Poetry meme and she interviewed me about my published work and literary career in July.

Several months ago I posted a writing challenge on the group to a few lines from a Mary Oliver poem and she wrote a lovely, albeit very derivative poem for the challenge that was featured on a Christian blog.  Not long after that, having never published a word in a literary magazine or journal, she was invited to do a collection with the independent press affiliated with that blog.  She asked me to write a little jacket copy and I was happy to do it.

My copy of the book came last week.  I thought it was gorgeous.  A mere four or five days ago, I decided to try my hand at a review of the book.  I was happy with what I produced and posted it on one of my blogs, e-mailing to her that I had done so. Those who have read the review have found it to be very positive as did she appear to in the beginning.

In reviewing this book I put on my serious writer and literary critic hat.  I approached the book as a bona fide debut collection from someone I believed to be a serious poet with a burgeoning literary career, who has clearly taken pride in her own book..  I found much to admire in the work, and I had what I continue to feel to be fair and carefully thought out criticisms of it.

I was especially concerned about what I regard as conflation of the book with a weighty title, and in a manner, with that title,  not unlike casting your own dog in a noble light by citing the championship of its great grand sire-- even renaming it Champion Foucalt's Bolt of Lightning after its grand-father-- and for the amazingly obvious and glaringly disingenuous reason that everyone would think that the old and new Lightning were one and the same.

These are lovely poems, but they are not what the title says they are-- the memoirs of a world renowned poet.  That poet wrote his own memoirs and they were published in 1974.  My review confronts this issue-- and lists many positives in detail of the work..  

Upon reading my review, the person I experienced and thought I had come to know as a loving presence in my life became a block of alabaster with a number of defensive and angry things to say to me via e-mail, to wit:  "I make no pretensions to be anything but who I am. (That title poem is the oldest one in there, btw.) I'm not out to be well-known; hell, I don't even submit anywhere, because I don't want to get on that wagon. It's one of the reasons I'm still posting on my blog, knowing what I post can never be submitted to lit mags/journals. I never even expected to see my work between two covers. I was asked and accepted the invitation from TSPP. I didn't raise any objections to what was selected or the title chosen for the book; I deferred."

So let's abdicate responsibility for our own content and the title of our own books while we attempt with one flying leap to place ourselves high up on the rung of contemporary poetry.  Furthermore, never expected to see her book between two covers?  She loves every minute of it, and we all would.

I protected myself from further b.s. like this by stating we should keep our interaction to business and like a true grown-up, she left the online group of women where she had been very active and which I moderate and all of whom relied  upon her daily presence and support, ordering me not to contact her again.  There were several other twists and turns that contributed to where we found ourselves; clearly she felt personally attacked when the only criticism of any import made within my text was a sincere one of the title of her book and the presumption of pretending to write someone else's memoirs.. I contend that there is room for improvement in how each of us has handled this, and to say that the last few days have been difficult is to minimize a rift and falling apart of a friendship that has been all but unendurable.

Meanwhile, one of her minions on Twitter also--surprise-- a Christian writer in the spiritual feel-good bunny patch, put up a "review" that is the kind of saccharin fist-bumping that should make any poet wither in dismay, to which she responded by sucking up to the editor and publisher who also weighed in on that review-- after stating to me that she "deferred" to them..

Well, then, defer away, and schmooze on,  my dear.  I am a published and experienced poet who took the time to sit down with your book, worked for hours on an honest, balanced review and posted it to my blog.  This series of actions should have been met with respect and gratitude.  It was not.  I do not intend to excuse myself from the platforms we now have in common, I will take swift and remedial action if you malign and impugn me and put my personal business--those things concerning my emotional well-being I have shared with you-- out on the public highway,  and I would hope that anyone reading this,  will  understand this immense hurt.

Now may this whole deplorable episode rest in peace.

2 comments:

Lorenzo — Alchemist's Pillow said...

Oh, this is so painful to read, Jen, as I know and appreciate both you and MD through your blogs. Indeed, I found your blogs through hers. I will not venture any opinion as to what has happened between you two, but send my hopes to both of you that this rift not widen or cause either of you any further pain.

Jenne' R. Andrews said...

Thank you for such a kind, compassionate, and adult response, Lorenzo. Time to move on...xxxJenne'