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Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Sunday, May 6, 2012

New Poem: Volley, for Magpie Tales and Beyond...

This poem inspired by two photos and one narrative portrayed in a painting...


Supermoon at the Eiffel Tower, May 2012


 
River Irwell, R.D. Stainforth

Volley

Van Gogh wakes in the grave, leaning
into green cemetery silence,

Listening with the tuning fork filaments
of his residual ear.

Insomniac ghost, he sees everyone running,
whispering je ne sais quoi in the dark.

He billows off, the hem of his shroud trailing
in the elbow of the voluble Seine, looking up

To view a luminous ball resting on the tip
of the Eiffel Tower,

Great sentinel moon, rebuking all of Paris.
Now Sartre, Camus, Renoir gather at the tower;

It takes all of them, Van Gogh
calling the plays,

Their white wrists extended,
to tip the ball loose;

In unguarded amazement,
they watch it ascend, making its way

Like a ship of state across the molten skies.
In St. Petersburg , something tugs

At Dostoyevsky, entombed within eternal
dreams of infinite snow and forbidden love:

He finds himself in his dark carriage,
driver lashing the lathered team

Through the dormant frigid city,
where like the face of a vagrant

Revolutionary, the great moon hovers
over the Winter Palace in the square.

He summons the Brothers Karamazov
from the peripheral graves;

The volley once more and now the
opalescent immensity broken from its orbit
Travels on west, through one time zone
then another, over alpine ridges

To the piazza where the Carrera Dante,
in his mantle of forlorn pigeons,

Sees it--  ascendant luna errante--
over the Palazzo di Scaligeri.

All Veronese lamplight
is suddenly quenched in deference:

One expat had been saying to
another, sitting at a bistro table

After hours, But Thomas touched the stranger’s
wounds—explain that away.

And the other person could not,
except to say, We see what we yearn

To see;  look, broken from stone
Dante himself comes unto us,

Holding a great wayfaring moon
by a filigreed strand.



Jenne' R. Andrews
May 8, 2012


Caravaggio: The Incredulity of St. Thomas
 

 Dostoyevsky's Notes for a chapter of The Brothers Karamazov 

*je ne sais quoi -- fr. I don't know what... 
xx
copyright Jenne' R. Andrews  2012  All rights reserved....



13 comments:

Anonymous said...

Just terrific. Funny, intelligent (of course), thoughtful, eye/mind-opening. Very clever, and the end with the debate about Thomas and Dante so wonderful.

It reminds a bit of the Monty Python Philosphers' football match, though really it is more ambitious than that -- k.

Anonymous said...

I meant philosophers - and also kudos. K.

Mimi Foxmorton said...

This is such a beautiful blog.

I love this take....and the super moon awakening......

21 Wits said...

Your writing feels like music! Your blog is exceptional, and the photo you added with Mag 116 is very stunning!

Susan Anderson said...

Listening with the tuning fork filaments
of his residual ear.

...and all the rest, too.

Just excellent.

=)

Tess Kincaid said...

Intelligent write, Jen...I especially like Van Gogh listening with his residual ear...

Unknown said...

Love the poem. Smart, full of images. Thanks!

Elisabeth Kinsey said...

Beautiful poem with smart language and images.

Ethna McKiernan said...

such a white-hot poem, Jenné! -

Berowne said...

Remarkable. I listened with all the power of my residual ear...

Anonymous said...

Inspired by a supermoon? Maybe resurrecting the souls of all these great artists - something about the moon that always brings out the reflective and the romantic....

Julián Esteban Torres López said...

What a wonderful nugget! You've got yourself a new fan.

Beachanny said...

Doesn't the poetic spirit cry out for a night like this? The moon exalts, lifts life from ashes, and the thoughts and words fill the mouths of those who said them as they walk among us as if by magic. This is a magical piece, full of imagination and inspiration. How deftly you roll the ball. I was there.