the chair was there or even how the singing refrigerator,
go in once more to the room where the blizzard
Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.
Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.
Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.
Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.
A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.
Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.
Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.
Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.
IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.
With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.
Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.
Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.
Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.
In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.
She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.
She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."
Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.
There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.
As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.
Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.
16 comments:
Such stand-out images: "my wheelchair like a dark stork folded into itself", "troubled past selves / leave their telephone pole crosses like the ghosts / of Calvary", the description of the Union Pacific, and "coal-furnace mouths/ of district attorneys".
There's a great deal of sustained drama in this poem - I see it acted out as if on a stage - and that culminating stanza gives it the edge of raw need.
Wow. Thanks so much for giving me the link to your poetry (which I should have found anyway), as I like the political commentary, but I am more drawn to poetry in general, and yours is very very special. The telephone pole crosses--the coal furnace mouths of District Attorneys--the seas of the bed, the general sense of lumbering and pain and both helplessness against, but somehow cavorting with, wakefulness,--cavorting is not the right word, but there is a fear of the deep even as one craves it--even the dog with the toy and the crate, much less listing bells, worshipper, much less the cross-examination--all adds to that dreamlike but unfortunately not-dreamlike state. Really wonderful poem.
Great political stabbing and jabbing as you went about your verse, they tend to suck much oxygen away.
Oh Jen, I feel the truth of these sentiments, the haunting, taunting thoughts that keep us awake. The past, even "I want to go home". I always feel an excited anticipation when I click on your name. I know I will find a deeply resonant poem here.
An extraordinarily accomplished write, full of arresting imagery and clear intelligence. I read it several times and many lines will live long in the storehouse of my poetic memory. Thank you for sharing this masterful poem Jen. Truly appreciated.
Kind regards to you. James.
I used to hit 4 a.m. at the fag-ends of my drunken boddyseys; now I revel in it from the other way, getting up way too early to read and write before heading in to work. The hour is a strange one, so much of the world dead, so many of the spirits floating about (maybe they're always there, just drowned out by the din of living). Certainly the attunement, as here, is toward a league far under the day, yet is still very much alive -- like noctiluca. And the body's odyssey continues on, through new harrows of trial and labor -- who would believe we have ended up here? The far end is the deep end, though, and we couldn't get to poetry like this without the fall. Great poem. - Brendan
Really some outstanding imagery in here. I've always liked stories about Jin and Sandmen, different yet somewhere in mythology the two do get overlapped. But anyhow, I love how your poem carries the sandman metaphor throughout. Some crazy good lines in here too, a few:
Did I forget to drink the darkness someone mixed for me and made to taste like nectar?
Hooked to tail, pleased by the fury of their own cries...
The entirety of the stanza that begins Like angels-my favorite one in the poem
And of course the last stanza is great, love everything: I crave oblivion like oxygen, a few hours of it, if it pleases the court.
Wonderful write, thanks for the read
I so enjoy your images especially the "the Union Pacific comes in,
a series of trumpeting elephants, trunk Hooked to tail," - that one made me smile.
Insomnia is a maddening experience for sure. Almost worse than the nightmares that present when I finally give in to the sandman's advances.
"Did I ask to carry the songs of the damned beneath my eyelids?" Awesome line - I ask myself the same thing and I believe the answer is no. For me, sometimes these things exist until they are exorcised (in my case, not by a priest but by a counselor ;)
Thank you so much for your encouraging comment on my post this week. It meant a lot coming from you especially. That poem is the first one I have posted in a long time that was critiqued by a writing group first. Based on your comment, I can tell that like everything in life, getting help from others makes even my writing better :)
luv and hugs,
Sheila
Each person commenting on this poem; your presence here in cyber space and your glowing comments are heartening beyond expression. Thank you, many times over. xxxj
best wishes.
There maybe spiritual team members there, watching and offering hints...
stay calm, bless you.
Bravo! I'll take a glass of that oblivion too, your honor! Well written!
I don't know where to start, there are so many riches in this poem, although imbued with such weariness! I love sleep, but I also hate wasting my time and so I typically keep myself awake far too late on work-nights (the job "steals" my time). I get up at 4:30AM on workdays. Like Brendan says, it's a strange hour, sometimes the whole world seems dead.
Lines like
"the blizzard/of my anguish wore itself to a thin sorrow"
and
"Did I ask to carry the songs of the damned
beneath my eyelids? I cannot remember."
carry a world of weariness in a poem that is nevertheless balanced on a high intellectual wire. It's rather futile picking out a favorite part, but I really love the final four stanzas.
A lot of metaphoric used in this write and you really have controlled flow ir the read and focus of the reader as they interpret images as they change throughout the write. Well done. A really different plane here.
Jenn, this gave me the chills. With the exception of the wheel chair image, I could have written this. I'm in Reno, less than a mile from the Truckee where the trains pass...probably on the way to or from you. My dogs are in the crate as I wander by getting a cup of chamomile with the hopes of catching another hour or so of sleep. But once the old mind is in motion, it's so hard to shut it down again. This is stunning and I'm going back to read it again...and a train is passing as I speak. Long, long, short, long.
Thanks to Victoria, Mark, everyone, once more. Not an easy write, as we all know when assailed by the ghosts of self in the night... all best to each of you wonderful writers, who took the time to read this. xxxj
Well, I will not feel alone as long as I can be touched in that deeply resonant way by your words.
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