WELCOME! BENVENUTI!

Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Showing posts with label reggio calabria 'ndrangheta. Show all posts
Showing posts with label reggio calabria 'ndrangheta. Show all posts

Thursday, March 10, 2011

A Poem for Thursday, Magpie and Carry On Tuesday Challenges....







Calabrian Garlic

In her window, a basket of garlic reaching
For the sun. She broke off one of its fat cloves
And took the knife to it, using
The flat of the blade to mash the clove open;
Then she peeled off the papery rind
And there it was, sending its quartered objections

Up into the air of the kitchen, disempowered
And redolent.
I sat back in the shadows with my love,
Her son Pepe; we sipped latte di mandorla
And watched Mama in her cooking dance

How she carefully took a beef knuckle
Out of butcher paper,
Put it in a boiling pot for stock, crushing
Fresh tomatoes for the sauce.  We kissed
And longing surged in us 
And my love's tongue was as tensile 
and searching
As the garlic’s green
Inquiring foot

And I dared not touch the tendrils
Of his desire then.
But later, spent and laughing after dinner
I kissed his garlicky mouth
And much later, we wept briny tears of rapture,
Rising to walk the edge of paradise,
The lolling Calabrian phosphor
On the Strait of Messina.

I saw something arc in the air
And he said it was the pesce spada, the swordfish
In rising-moon ardor.  I said
Within myself, with my poet’s heart,
Thinking of Homer’s stunned walk
In this very place, that is the mermaid-gorgon
Scylla herself, exulting
In the tide that forces garlic-stricken lovers
Into each other’s arms at all hours.

Soon I boarded a train away
From Momma, Papa
And the babies lolling in everyone’s arms
At dusk in the kitchen. 
Many years later, there is no trace of them,
Not even anything legible in a book of names,
As if I had conjured all of it 
From thin air, my indoctrination
Into a hard, polished love tinted
By flash in the pan anger,
Like the pink water-laved stones

One finds in the surf--– la famiglia’s
Work-weary and serene
Faces as we walked the garden. 
This is what I remember
Now, all of them cloistered 
In simplicity and resolve
Like the purposeful garlic bulb 
In the window basket--sublimely 
Permanent,
Sheathed in undaunted light.



Copyright Jenne' R. Andrews 2011











Sunday, November 14, 2010

New Poem for New Week...

Dear Followers and other Cyber Voyagers, incl. One Shot Artistes--


I've been working on something like a short contemporary epic poem about the beautiful province of Calabria in Italy and the entrenchment of dark forces there.  I offer it here. I put up a post about the making of and sources for this poem today at Loquaciously Yours.  xj






Odysseus Weeps...


[I]t is the wine that leads me on, the wild wine
that sets the wisest man to sing at the top of his lungs,
laugh like a fool – it drives the man to dancing…it even
tempts him to blurt out stories better never told. -  Homer, Odyssey

“Una mattina mi son svegliato…di l'invasor
Bella ciao, ciao, ciao…”
--Canzione di la Resistenza di Calabria *

i

At dusk 
Dreaming of a distant summer
You imagine your way home
To the warm and wine-dark 
Aegean
.
To Italy and Calabria
Where black swans gather
Drifting down one by one
To the coastline
.
Tide singing the exploits
Of a wayward hero
Glittering and translucent ash
From a ship on fire
Dissolving on the night
.
On the cliff above you
Homer wakes at his campfire
From a restless sleep
Diving past in a burning
Rush of air
To cut Odysseus loose
From the mast
.
Breathing against his white neck
There on the sand
In the wavering moonlight
Bringing him to life
.
ii
.
In the mariners' cafe
A little night music
On warped 45’s
A shuffle to the concertina
.
You and the teller of tales
Swirl to the tarantella
One-up each other
With sagas of conquest 
Laughing together
In the warm waters
Off the Costa Viola
You have always wanted
To live at the dawn of time
This way
But now a mourning dove
Brings you news
Of a war in the streets
Of Reggio Calabria
.
A bloodbath there
The corpses of thugs
In doorways
.
You see photographs of teenagers
In the Via Candido, with a banner
Reading Adesso Amazzatecci Tutti—
Kill Us All Then
 .
Women looking out
From behind the shutters
Of cement-block palazzi 
Crumbling
To the beach
.

The Gioa Port
Where crates of heroin
Wait for shipment to New York
 .
iii
.
In a gorse-covered meadow
In the Aspromonte
A man with grey hair 
Punctures his own wrist
Pierces a boy's wrist
Commingles their blood
.
One of us now Carlo,
He says, sotto voce:.
Tell no one-- that is our code
Of silence, Omerta
.
After the initiation
High thin voices, concertinas
And tambourines at the café’
Out in the near dark
The cigarette embers
Of those who live by vendetta
.
Homer takes your hand;
You ascend the hills
Of Reggio:
You see your lover and his family
Fallen at their doorway
Waiting for the death cart
.
Yours is a keening for the losses
Of your youth
And that of the women
Stillbirth
The plundering of dreams
The murder of sons
.
With the others
You drag a clay pitcher
Through well water
Pouring a glass for fertility
A glass for grief
.
iv
 . 
In the waters off Calabria,
Deep in a trawler’s hold
Ak47's are hidden
Beneath troths of ice
Packed with the bodies
Of the swordfish,
The pesce spada

Madonna and Child
Carried up the mountain
To the shrine at Polsi
Men in white hoods and robes
Gouge their own flesh
With small knives.
To atone
.
You look out
At thick cypress 
volunteering
To hide the  villa 
Gone to ruin
 .
A fox runs past
With a limp vole
In its mouth
.
v
  .
You who promenade there
Surrendering your dissipation
To the evening air
Do you see the fallen
Black swan
On the white sand?
.
Children march daily
In the street—
Kill us all then
They chant,
To the entrenched and ruthless
‘Ndrangheta,
Thieves of joy
Cut-throat crimini in bunkers
Braggadocio
Of honor and blood
.
A mariner sails across the strait
With his spear
Impaling the pesce spada in mid air
Laughter and fresh meat at the fire
No longer:
A ragged moon rises
And there is a lament
Said to be the song
Of the ghost
Of a returning hero
.
Scylla and Charybdis
Contort on the pyre
Of the burning sea
Love's body drowns
And Odysseus weeps.
.

*..one morning I was awakened
By the invaders….
Bella ciao, ciao, ciao















copyright 2010 Jenne' R. Andrews
All Rights Reserved
No reprinting of part or all of this work
without express permission of the authoress....