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Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Tuesday, March 15, 2011

Poem for Magpie Tales 59 and One Shot Wednesday.....


Please scroll down to yesterday's post to read my poem about the disaster in Japan.  The poem for the Magpie/Oneshot memes follows.



An Uncommon Thing Appears in the Garden

“The force that through the green fuse drives the flower
Is my destroyer…”

Dylan Thomas


The bravery of the green leaf
Forcing its way out of winter—

To what end… or because it can
Or bears a coded imperative

In the genes, as we do—in the keeping on
Of all that “returns” in spring.

The searing sun takes itself
Over the hill’s edge

And shadows cradle the tendril.
When no one is looking

The bud is born
And then the silk-soft, rich

Purple tongues of the petals
Laving the light of day--

Voila, violet
And post hoc, ergo propter hoc:

Violet conjoined, sharing roots
By others with close family

Resemblance, quadrupled,
But not entirely.

The courage of the violet
To open to morning

Summon the smaller bees
To drag their feet

Through its pollen.
To then surrender to our harvesting

Breathing color to the eye
Fading, singing in lavender 

For as long as it can from the vase
Before it lowers its flag.

The next time violets appear
In the blink of an eye

At the doorstep
I will leave them

To do their work—
In the mind & in the world:

Semaphores of beauty
Metaphors for tenderness.



Jenne’ R. Andrews
March 15, 2011

Please check out the great memes that brought this poem to bear for me:  One Stop Poetry, and Magpie Tales/Tess Kincaid.   Also up today-- my feature of poet Hedgewitch/Joy Ann Jones, at Loquaciously Yours.    

15 comments:

Dawn Potter said...

Love that image of the bee dragging her feet.

Tess Kincaid said...

Coded imperative, indeed. I loved this. Can't wait for spring.

Claudia said...

i like how you give personality to those violets..
..The courage of the violet
To open to morning..
will greet the next violet i meet in my garden with the words "good morning you brave and tender flower"
really beautiful jenne - also like the dylan thomas quote

Jenne' R. Andrews said...

Thank you Dawn, Tess, Claudia! xxxj

hedgewitch said...

Perfect preface to this, one of my favorite Dylan Thomas quotes, nicely expanded on in your ode to the humble violet. "..laving the light of day..." just trips off the tongue. Subtle, those quotes on 'returns' as well.

Lucy Westenra said...

Good idea to let Thomas's poem inspire yours.

gautami tripathy said...

This flows so well, works well for me!

an ordinary moment

Myrna R. said...

I'm so glad I'm visiting here. Your poem is like medicine for the soul. Lovely.

Anonymous said...

Very nice use of semaphore/metaphor at the end. A very nice write. Vb

Anonymous said...

A fine purple-in-green meditation. The poem I think more refutes Thomas than refines him, unless rhapsody could also destroy. And that button-- "Semaphores of beauty/Metaphors for tenderness." My oh my ... Brendan

Alegria Imperial said...

Not spring or the violets and any other flower are the 'semaphores of beauty/metaphors for tenderness' but your poem, Jenne! A truly excellent piece--what else from you could it be? Thank you!

Steve Isaak said...

Perfect, excellent.

Shashidhar Sharma said...

Dear Jen
Semaphores of beauty ... I enjoyed your description here.. so vivid and lovely...
Thanks for sharing.


ॐ शांति ॐ
Om Shanti Om
May peace be... praying for People of Japan
http://shadowdancingwithmind.blogspot.com/2011/03/whispers-love-and-insignificance.html
Connect me at Twitter @VerseEveryDay

dustus said...

Agree with Brendan's observation. The speaker overwhelmingly focuses on growth and the translation of nature's force into constructive feelings via language... a most excellent concluding rhyme on metaphors.

Martin said...

Extraordinary! I particularly liked, "...Semaphores of beauty
Metaphors for tenderness."

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