WELCOME! BENVENUTI!

Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Showing posts with label jenne andrews poem. Show all posts
Showing posts with label jenne andrews poem. Show all posts

Saturday, December 31, 2011

New Poem for DVerse Open Link Night and Beyond....

Revision.


 
You

This memory or another, this brief picture
sunbeam on the shriveled and frosted leaf
a world of selves trying to remember the self
before the idea of self is lost –

    Time in the Rock,  Conrad Aiken

Something far beyond tenderness
like a feathered cloud caught

in the broom-stiff treetop
returns without invitation

so that remembering
like the rainfall, washes

over, under, through;
something you might call

amor, its semblance
appears in the shadowy doorway

of my heart.  I reach
for you, terrified when

I see the porcelain hands of 
the fractured clock

Wildly spinning;
I reach for half-lucid desire,

the memory of your mouth
moving and moving like the sunrise,

the kiss of the opening rose
over my skin.

Was that our moment, we two
star-crossed, afflicted, virulent

like two splinters born onward
in a cascade?

When I could not reclaim your touch
nor find your hand,

I swam on, a snowy egret 
plummeting through

cold starlight, unrepentant
and undone. 




xx
copyright Jenne' R. Andrews 2011

Monday, August 22, 2011

Poem for Magpie Tales Monday and Beyond


Thanks once more to Tess Kincaid for the prompt at Magpie Tales meme.  Other new work of mine follows this post.  xj 


The Way We Were....



Redemption

How strange
That we should then be laughing in tall grass
Listening to Brahms
Grief smoothed from our faces
Sophisticated seraphim, in our shirt-waist
Dresses, seersucker suits

We read the censored works
Of the Lost Generation unaware
Of a delicately timed demise: that we had each 
Gone to sleep among the tapestries
Of indifference and obligation

Stepping out of line in the human parade
Selected for our earlier vigor and remade
Recast in a play, a vaudeville,
By the prima danseuse of an opaque oblivion
In heaven’s heaven—
A deuced coupe packed with flowers.


copyright Jenne' Andrews 2011  jenneandrews2010@gmail.com 

Saturday, July 30, 2011

New Poem for Saturday: Roy McBride In Memoriam

On July 29 the wonderful black  poet Roy McBride, so beloved by the Minnesota writing community and beyond and forefather of spoken word poetry, succumbed to a long illness.  Roy and I used to talk for hours on the tin roof of my studio in St. Paul that overlooked the Mississippi.  He was love incarnate.  There are videos made by the wonderful Mike Hazard available on You Tube.     Many thanks to Lorenzo Lapislazuli and Ruth Mowry for the combined Chagall painting and Rilke quote from A Year with Rilke.  xj 




The House with the Green Eye  - Marc Chagall



Three Little Poems
To the memory of the great Roy McBride
  
Who knows: eyes may be watching us
from all sides. Ah, only stumbling toward you
am I no longer on display. Growing into you,
I am forever set invisibly
in the darkening shelter of your heart.

Rilke, The Shelter of Your Heart,   Uncollected Poems
          
i.

Tal Vez - Maybe

Perhaps, you thought
As you lay in the dark
Encased in white plaster

You could make a beacon
Of your new body
Your iridescent shell
Could summon

An angel from the shadows
Someone prescient
Well apprised of the ordeal

It was to have been swaddled
In a blanket that turned to stone.

It is true.
You lay in the dark all in white
A bride of silence
Invisible, vestal, pure as flame
On the altar of the bed.

Voices were far away
As if the family
Had gone on 
The butter knives of their paddles
Slicing mile on mile
Down the green Rio Grande.
  
Ii
 Little Adobe

Little house you claimed my heart
With your peeling blue window frames
How you were cupped in the density
Of the autumn cottonwood trees
On Guadalupe Road.

The red hollyhocks sang of morning
The meadow larks sang back.
I was safe there
In my darkened room
Branches whispering against the glass
Comforting and half-muted voices.

This was before the Dark Time
When she was taken away
And I didn’t know
What to do with myself

Except with my small hands
To dust the stopped antique clock
With my toy broom
To sweep and sweep
The cold flagstone of the patio.

 Iii

The Unnamed

Everywhere
Are children in a plight
No one sees.
They hunger or they pine
With great eyes
From a corner
In a country so far away
We don’t know its name. 

Let us be invisible with them.
Let us join them in their meaning
Nothing to humanity
Even to those who come upon them
Too late, the wounds of their open mouths.



cc

copyright Jenne' R. Andrews
all rights reserved  jenneandrews2010@gmail.com 

Saturday, July 23, 2011

New Poem: Abend Lieder





Abend Lieder


Slowly evening takes on the garments
held for it by a line of ancient trees.
You look, and the world recedes from you.
Part of it moves heavenward, the rest falls away...
And you are left, belonging to neither fully...

 -- Rilke, Evening 


Left, done in, concluding human
You belong to neither
World.  Not the green one
Alfalfa’s redolent windfall
Stretching off to the Wyoming border

Promising enough-- enough for all.

Not the world light sears
With her very hands
Calling us toward each other
Out of our scarecrow sleep

Then belonging neither
To summer nor to light.
You know your true home

The evening, the crepuscule
Where each thing is taken up
In the slow-motion
Onslaught of night

See where the horse stands
Before the frieze of elms
Looking out at the dusk

Now, see her vanish
So that we by faith
know that she drops her head
To crop the dry July grass
Soothed by evening’s hands.

Oh yes, meine Abendsliebe
My notte d’amore
I know you

You rescue me
From my world-weariness.
You give me the compline
Of the palomas
In their dreaming cloister

You dress me
In a waterfall of lavender
Take into your star-laced body
The cooling stones of my fear.





 copyright Jenne' R. Andrews 2011.  To enjoy a Rilke poem each day visit A Year with Rilke hosted by Ruth Mowry and Lorenzo "Lapislazuli".  I have found these posts to be wonderful prompts.  

Thursday, July 21, 2011

Poems for Friday Poetry Fest - Rubato

Join us for Friday Poetry Fest-- Link Live Now.  





Rubato

All things are the body of the violin,
filled with murmuring darkness.
There, grieving women lie down to dream.
There the resentments of generations
surrender to sleep...Rilke
  
And I am the cello of the goodly dark.
Play me then
Night, with your bow of memory

Make me quiver
With reminiscence
Strike my taut string

With the glancing blow
Of the renegade moonlight

Sheath me in the follies
Of the braided light
Hailing from distant stars
Rondo, capriccio

Largo of Brahms
O Wood, body of wood
Body of love
And her lover
The robust
Sinfully glad night.

ii

Night, improvisation
Is thine
Thief of the ordinary
Grave-robber
With your proletariat
Of  plundering owls

It is night that makes me anew
Night that cloaks all sorrow
Out of the silver membrane of the night

We come, spending the sleek body’s 
In the surge and suckling
Of the tide,
in a mating display 

Of fanning golden feathers
In the midnight ardor 
of the swordfish.




*When the word rubato appears in a musical score it means steal—as in take a little liberty with the score here.

Bonus Poem --




Treachery

how did this come to pass
bird with a shattered wing
foal with a club foot

that which enters the world
with something wrong.

Who laced the cell with toxins
who murdered the wheat
so that it goes to dust
carried away by the blackguard wind.

Who has defamed us
so that we are afraid to live
and cloister ourselves by day?

Who is the perpetrator
the thief of good will
the prosecutor without a case

Who made of me an indigent 
barren, alone, alone
Who tightens the noose of trembling stars
Around the shimmering earth?


cc

copyright Jenne' R. Andrews 2011
email permission requests: jenneandrews2010@gmail.com 

Monday, June 27, 2011

A poem for Magpie Tales Monday

Thanks to Tess Kincaid for yet another quixotic prompt at Magpie Tales.

Endeavor, Lino Tagliapietra, Columbus Museum of Art



On Waking to Flying Fish

I am descended upon by myriad wings
At break of day.
They want me to rise, to attune myself
To morning.

But I love the dark
With its absence of forms
And order

The deep dark clay
Of the night
Like the hold of a ship
A womb caught
Between day's end and dawn

Why should we submit
To the confusions of light that assail the eye
The stimulae of the diabolical protozoa
Sailing through the air
Like a contagion

The assault of color 
that is the sunlit world.

cc

copyright Jenne' R. Andrews 2011


Saturday, June 25, 2011

Poem for Solstice Week and One Shot Sunday

Bear with me while I work with prompt photo.  In the meantime please enjoy this photo and poem posted yesterday.  xj 









Photo: for NASA, Duane Hilton. 

Solstice Moon


Such is the amazing play of the powers:
they give themselves so willingly,
swelling in the roots, thinning as the trunks rise,
and in the high leaves, resurrection.

Rilke  The Book of Hours


This year the solstice moon rode high and briefly.
A mere week ago the lilacs
Broke from their silken sleep
Before that the last unfurling
snows of April.

Why so much time lost?
We cross the bridge no one has thought
To rebuild although it leans and sags:
A risk, like lifting our eyes
To the mute heavens.


ii

Once I had a mare I kept back in the shadows
Of an old blighted cottonwood.
One night I walked to see her
She nuzzled my hands
Dissolving my wounds in her eyes

I remember losing my fear
Riding high on her neck
Her sharp hooves biting the gravel

If we say the solstice is our youth
Where are we now
our body clocking
Its seasons, chimes ringing in the heart
On the hour.

iii

No more talk of ancestors
Their hunting of mountain lions
Their building of roads.

Let us stand in the sea of almond milk
Poured over us by the moonlight
Like two young horses dreaming
of infinite meadows

Along boundaried miles
Of perilous wire.


 cc

copyright Jenne' R. Andrews

Tuesday, April 19, 2011

Poem for One Shot Wednesday/One Stop Poetry





The Angel of Her Discontent

I  think I could do it now without so much
as a body shudder or a blue-lipped sigh---
fill my pockets with stones and in the inner
weeping of a fallen seraphim
walk into the sea. This is what Woolf did,
not looking back. For I am tempted out of paradise
my dream of recovery worn to opalescence
on the edge of the blue span beneath
the cirrus over the foothills.  I home to those hills;
I want to meld into them 

Where water makes stones, water and wind,
rain and storms and after, we find 
a petrified owl of obsidian, blackly flashing 
from the forest floor.  
In my fever I count the garnets like lark's eyes 
in a box of my great grandmother’s. 
They were some kind of rosary as if grace 
arose from incantatory whispers. 
A friend writes of Lucifer falling into blueness, 
drawn to beauty in spite of himself--. 
if he were only not so made of vitriol but I know 
of that rich, dark nectar.  I am Lucifer 

Or  Lucifer's Lucia, in the gardens of blood-red roses. 
We each need an intervening angel 
yet I would strike even Gabriel with a petroglyph
So that he folds his wings like night and expires
through time, clear and icy black air trying to get my soul
to safety-- it would disintegrate, its fragmenting lost
satellite self, and I with it then.

ii

A photo of Eva Braun as a child on my desk.  Hitler locked her
away but she roamed above the sea with her Scottish terriers
trotting behind.  She poured dark wine into his crystal goblet.  
It was 1939. She must have even been beautiful, 
her hair in damp tendrils

Framing her face,  as she popped the cyanide 
capsule and folded into death like a white silk scarf. 
Perhaps I will name the angel of my discontent Eva Braun.

I ask of this semblance in the corner of my heart, she
who billows softly there in ghostly rectitude; How do you forgive
yourself for hurling the stones of words at someone and striking him
in the temple, sending him into aphasia-- if it had

Evolved to an amnesia but he remembers, and his eyes-- blue, watering,
Disconsolate, maddening you with how easily wounded he is
when you need him to be more than inexhaustible--
Who can endure a stoning.  A woman in a burkah, destroyed
in this manner for love?.  He cannot will himself away, even
from the time you took the Italian shoes and fed them to the stove
and the next day, there were the shoes’ iron stays, remnants
of a fallen Dorothy,  in the ashes.

I am one who has consigned herself to a lair, who roams at night. Fill
my pockets with rain.  Put silver coins on my eyes and sew closed
my mouth.  Think nothing of the thin cries of my bones, the absurd
beating of my wings at the midnight hour;  walk away.


April 13, 2011

xc

Visit One Stop Poetry and take a chance on the meme-- a good time always shared.
Copyright Jenne' R. Andrews, 2011 

Wednesday, March 16, 2011

New Poem

Please scroll down two posts to One Stop/Magpie poem.  Do read this one if you've time.  Thanks!  xxxj



Cheval and I Dream in the Wind

I braid and unbraid my fingers in the dark
Demanding of that cave where I rest
Why was there never
A marriage or a child. 
 
The dark has nothing to say to me
Except to make a bouquet of shadows. 
Sleep won’t be coerced
And the pillows are heavy and hard

And there is the high-voiced
Tender lance of the wind,
Slicing in from the Wyoming border.

Sometimes I want to flag down
Some jaded trucker
And be taken away
But I am on the highway of shadows
Of impossibility.
As my father once said, in the “twilight”
The crepuscule, perhaps the last decade


If that, or, burning up time as Gallager says,
“like a madwoman eating pearls”

Flour and salt call to me
From the cupboard.
I could lay my woman’s hands on these things,
The butter, the canned peaches
To make something
Where my sadness was

I have given in to the sorrows
That gleam on their strand,
Pearls around my throat.  My loquacity
Is my shield but I burn
And hide
Here in the familiar dark room
I return and return to,
Waiting to be reborn.
  
ii

Worse than my angst:
No one has come to release cheval d’or
From his run.  He dies inside
And no one sees this
But I, the neighbor who comes and goes
In her white beaten up truck.  I imagine
Taking my walker
Down the stairs and bracing myself
To drag my leg with me into the  barn
Unlatching the door to the stall
So that Cheval steps out.

He would look at me with his deep velvet eyes
And nose me to learn my name
And my purpose.
I would tell him that he is to leave
Under cover of the dark
Gathering up mares along the way

As if he would not reach the freeway
Where the ghost ships of the night,
The rigs hauling goods from the edges of the world
Would mow him down.

Iii

Once I sought transfiguration
In someone’s arms.
It was afternoon, two voices
Pouring from the radio
Love scene Act I, La Boheme.


My lover’s kisses
Broke me open.  He parted my legs
And wrote his name upon me
And I shuddered in delight
And then I was alone,

And my sorrow came back.

In a bed born along by a dream-wind
Out into emerald oceans
Reunited with a family healed
My mother and father’s dark hair
My brother’s laughter.
I am not lost, all is not lost
But the well of tears, the dearth
The living on empty-armed.


xx


copyright Jenne' R. Andrews
2011

Tuesday, March 15, 2011

Poem for Magpie Tales 59 and One Shot Wednesday.....


Please scroll down to yesterday's post to read my poem about the disaster in Japan.  The poem for the Magpie/Oneshot memes follows.



An Uncommon Thing Appears in the Garden

“The force that through the green fuse drives the flower
Is my destroyer…”

Dylan Thomas


The bravery of the green leaf
Forcing its way out of winter—

To what end… or because it can
Or bears a coded imperative

In the genes, as we do—in the keeping on
Of all that “returns” in spring.

The searing sun takes itself
Over the hill’s edge

And shadows cradle the tendril.
When no one is looking

The bud is born
And then the silk-soft, rich

Purple tongues of the petals
Laving the light of day--

Voila, violet
And post hoc, ergo propter hoc:

Violet conjoined, sharing roots
By others with close family

Resemblance, quadrupled,
But not entirely.

The courage of the violet
To open to morning

Summon the smaller bees
To drag their feet

Through its pollen.
To then surrender to our harvesting

Breathing color to the eye
Fading, singing in lavender 

For as long as it can from the vase
Before it lowers its flag.

The next time violets appear
In the blink of an eye

At the doorstep
I will leave them

To do their work—
In the mind & in the world:

Semaphores of beauty
Metaphors for tenderness.



Jenne’ R. Andrews
March 15, 2011

Please check out the great memes that brought this poem to bear for me:  One Stop Poetry, and Magpie Tales/Tess Kincaid.   Also up today-- my feature of poet Hedgewitch/Joy Ann Jones, at Loquaciously Yours.