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Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Tuesday, October 30, 2012

New Poem: Love Song of the Virtual Expatriate, for DVerse and Beyond....




Photo: Vidimu che vuoli fari stu tempu...dinnu ca arriva l'invernu...ma ca  n'di nui  c'è u sciroccu ...faci caddu ...e na para i nuvoli grigi fin ora.
laundry drying on Calabrian coast...



Love Song of the Virtual Expatriate

You, stranger on the other side of our knowable
world, tell me a sirocco has spoken
to you of winter;
you have laundered your dresses to blinding white,
cabled them to dry at the lap
of the sea.

All that you do is repeated, the tides of love
going out, coming back, the village
cut  into the cliffs like the facets
of lapis lazuli.

The bright fish sulk in the deep;
your mariner trims his sail, moors
his craft; he shoulders his heavy-bodied catch;
climbs the stone steps, throws it down
touching you on the shoulder.

The pesce spada lies on your wooden table
with its round eyes brimming;
you gut the cold silver body;.
he banks the fire in the oven,
whittles down the roasting sticks.

This is the land where nothing is wasted,
even the sword-bone is sliced up for broth,
sweetened with wild basil hung in the window.
You work tears of lack into the bread.
Donna mia, when you ladle out the soup,
 push the plate before him, does he remark
at the taste of your grief?

ii

I come to your city; you take me
on a long walk into the antiquity
etched into the hills
the siroccos have polished to iridescence,
where the stone-paved streets are narrow
and the doors to the balconies stand open.

I pay for my two room villa
in bronze coins from a ruin.
There is a table in the window, an archway,
one room into the other
for the ceremony of homecoming, 
as I had asked.
The stonemason’s ghost welcomes me;
I put on my long grey dress,
tie my hair back; we string the peppers
together, these annunciations
we will hang
in the doorway.

iii

Night kisses the sea and the seas
lave the disconsolate beach.
Lovers, wake: I have come
to live among you with a valise,
no camera. Only what the pen
will bleed to damp paper.

For a lifetime I have dreamed of you
have I longed for the simplicity
of living these late star-flecked hours
in the ruin where my impasto poppies
gleam from old walls, the stucco ancient
with whispered birthing songs 
and widows’ thumbprints.

I drink a cup of your dialect,
I burn my hand in the flame
of your candle;
yet only now, when I am an old woman,
has a Charon in rebellion
brought me across.  

iv

Surely there is someone
charged with the work of transporting
us to our destinies.
For I tell you that somehow
I am a pariah in my own
town;
I live like a murderess imprisoned,
even though my door is unlocked.
How is it that we call ourselves neighbors?
Not one mothers the other, not one calls out
Are you all right?

v

It is only by imagining myself there
where you rejoice in the stranger come 
unto you, blown into your midst

in Pentedatillo, in Mosorrofa
as if I had entered the intimate and granular
photograph of a Calabrian wedding party,

that I look out as from a mirror
at myself writing alone
on this side of the world,

contained by my shadowy rooms,
moving my hands among the prolific geraniums,
dreaming myself among you
in the midnight kitchen,  

yeasting old sorrows to an assonant vernacular,
turning rich dough on the board. 




Copyright Jenne’ R. Andrews October 28, 2012

5 comments:

Maureen said...

I'm struck by your use of the word "virtual" in the poem's title, because that longing held in the heart is very real.

What's expressed here is lyrically and beautifully conveyed in vivid visuals. I especially like your use of images of dough, the making of bread, which keep us attached to what is not romanticized. The acknowledgment of the realities of place and existence is moving.

flaubert said...

Jenne, this poem is so gorgeous and your use of Italian sprinkled through-out it makes it all the more so.

Pamela

Anonymous said...

A beautiful poem, Jenne, throughout. I certainly know the feeling of being more at home as an exile than in one's own "place/neighborhood."

It's one reason I think people gravitate towards a place like New York City.

So many great lines and images here - beautiful the fisherman and wife, and all the way to the exile at the end, writing. We are very much brought into each of these moments. k.

Mystic_Mom said...

Jenne - you leave me speechless and in awe once again. Brava my dear, brava.

Tess Kincaid said...

Gorgeous write, Jen...