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Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Saturday, March 3, 2012

For D'Verse Poetics: Ceremonies for Late Morning....

Digital Photograph by Walter Smith 



Ceremonies for Late Morning

The hands should be an extension
of the heart,
as in the laying on
of love and soothing;

And the heart, a gypsy vagabond
wandering in gardens across
the world,
savoring the breeze from
a Calabrian balcony,

Shielding itself beneath
the parachute of an open wild rose
to view the horizon,
the sapphire sea.

Beauty glitters there eternally,
where Homer made camp
with his storm of shaggy hair,
where since, one adventurer
and then another has made her wary way:

Oh, the gusting expatriate soul.

The eyes must always follow
the heart’s suit
and thus their moistening
upon remembrance,

The hands dancing over biscuit dough
in the crystalline morning.

Ii

My mouth cries out in my sleep.
I didn’t know it was my mouth
that formed the vowels of anguish;

I didn’t realize it was my hair
hanging in white tendrils
against my cheeks.

Who carried the records
of lost amore in a bandana
on a stick,

A book of losses colored in
by a child?

Who did I see—
much of me gone
with the low scudding cloud-cover,

The tumbling thickets of thorns
whirling toward the highway south,
in the arms of the vagabond wind.



copyright Jenne' R. Andrews 2012

14 comments:

Brian Miller said...

some really nice touches in this jenne...and you were quick on the draw today too...ha...

And the heart, a gypsy vagabond
wandering in gardens across
the world...nice...

also like the hands in the bread dough early in the morning...some real tangible feelings/memories/imagery in that...

Frank Watson said...

This poem has an epic feel to it, but one tied to personal emotions and putting yourself into the dream-like scene.

Anonymous said...

i like how Homer, and shaggy hair and the hair hanging all come together in this piece. so much of Homer has hair in it.

disembodied spheres

Anonymous said...

"in the arms of the vagabond wind" ... hmmmm, that's beautiful

Love these lines:

"I didn’t realize it was my hair
hanging in white tendrils"

"My mouth cries out in my sleep.
I didn’t know it was my mouth"

"a gypsy vagabond
wandering in gardens"

~Shawna
rosemarymint.wordpress.com

Claudia said...

oh i love the vagabond wind...and The hands should be an extension of the heart...true that..

Sheila said...

powerful lines, Jenne. The abrupt twist from the dream to reality was frightful - very effective. thanks for linking up today.

Daydreamertoo said...

Oh, this is absolutely exquisite writing on so many levels of imagery and verse. It's difficult to say which I like most. The second piece seems so visual, lovely.

Maureen said...

I delight in your images of "the parachute of an open wild rose" and of "The hands dancing over biscuit dough"; I feel the sadness behind the lines "Who carried the records/ of lost amore in a bandana/ On a stick,// A book of looses colored in / by a child?".

Our experiences present as "thickets of thorn"; our challenge is to allow "the arms of the vagabond wind" to carry us out and beyond them.

Unknown said...

You carried the prompt in a lovely way with your words. Well penned ~ Rose

Lorna Cahall said...

Oh Jenne,
Such a fine poem. I love the shifts, the carrying records of "lost amore in a bandana on a stick" but above all, I love the merging in and out of nature.

newdigitalscapes said...

Jenne, this is a beautiful post. You have captured my art so vividly. I move through your expressions of the body and senses, with a sense of wonder. A wonder lust for love. To catch and release.

Thank you
Walter

Manicddaily said...

I love the idea of seeing with much of you gone and the language of expatriation, Homer camping with his hair--and the bandana of lost amore. K.

Dave King said...

Passages like:

The hands dancing over biscuit dough
in the crystalline morning.

brought this alive for me. Some really beautiful lines.

Maude Lynn said...

This feels so real to me. The first stanza is gorgeous.