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Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.
Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.
Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.
Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.
A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.
Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.
Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.
Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.
IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.
With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.
Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.
Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.
Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.
In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.
She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.
She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."
Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.
There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.
As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.
Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.
12 comments:
was curious because you mentioned the german...so jumped over in rocket speed...haha
now you've chosen a difficult character with eva braun which most people would avoid..
rgd. your german words..only two small things..
Stille Nacht, Gute Nacht
mein Liebling
well done jenne..respect..
wow. epic in scope and depth of emotion through out this...the battle to define herself was def intriguing and interesting to be juxtaposed against their cause...nice take on of her jenne
Strong writing. Everyone has to find their own way to matter. Sad though that she made this choice.
You could have made this twice as long as it was, and I still would have been riveted.
This was epic. Love the "stream of consciousness" and the way you approached her with a kind of odd rebellion with the repetitition of "not" and "naught" She apparently was desperate for some of that "yes". Really exceptional work here!
Well, you certainly picked a hard persona to empathize with, a call for self-possession for a woman so co-dependent she killed herself rather than live without him. A woman who experienced the finest things in life for years while others suffered, starved, were gassed, murdered, shot, dismembered, and more. Since this was her third and finally successful attempt to kill herself I can only imagine that she had an intense self-hatred.
Wow. This is epic. So many great lines; The violin of volition, the golden harp of yes. The heart a wet and oozing thing kicked to the curb--I'm not a dog you can kick to the curb. The mother. I don't really know very much of Eva Braun, but you've captured a woman caught in crazy times both her own and the world's.
K.
Eva Braun. That's bold. I wish I knew more about this woman. Surely you've read about her.
Was she really this defiant, this determined to define herself in the face of the most notorious dictator in modern times?
(and perhaps I'm not the only one who's had Plath on their mind?)
Thanks, all-- I imagined that Eva Braun in truth was eager to emancipate herself from Hitler and only under his spell. Her biographers claim this-- in the end she gave in utterly-- I wanted her to break out of it to save herself and so much of this is projected persona and an unusual direction for me, for sure. xxxj
yes, unusual for you but a nice rallying call for all the Plaths, Brauns and such women, wouldn't you say? Like Gay, I too enjoyed the not and naughts and to see them transform in last part to affirmations, yesses, and I ams was a liberating emotional end to the journey through her psyche. Bravo, Jenne, bravo.
Thanks, fellow wonderful poets. xxxj
Eva's and interesting Other, perched on the poet's shoulder as a mask of self that is at enough distance to speak the truths that are so silencing up front. Her song perhaps the Furhrer's posioned and chained and buried conscience, a weird sister sacrificed to the Fatherland. Wrong goddess to screw with, I suppose, and Eva sings on with a bullet through her heart. Sing it from the Brocken. - Brendan
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