WELCOME! BENVENUTI!

Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Sunday, October 30, 2011

New Poem: Insurrection, for Magpie Tales Photo Challenge

 Note:  My ongoing spate of insomnia has spawned a flurry of new poems, hopefully with not as many mixed metaphors as this statement.  Therefore, new work has been posted going back through last week;  in other words, please do scroll down.

The following draft is posted for Tess Kincaid's prompt on this day at Magpie Tales. xxxj

Photo, Tess Kincaid

Insurrection

The experience and inclination and affection we put into familiar things cannot be replaced. We are perhaps the last who still will have known such things. On us is the responsibility not only to remember them, but to know their value.

Rilke, Letters  

I made my way through the old house
Resurrecting its troves, from its cellar
A roll top desk, in the corner Mason jars
With sky in them and in the alcove
beneath the sheen of cobwebs, an old Royal
Its alphabet teeth chipped and crooked.

These things I brought into the daylight
And then into the living room
Where the sun poured in and the old wood
Took pints of lemon oil;

Out in the shop the old couple
Squatting there for little rent
Had filled barrels with things that one day
Might be useful and in one of these
A ream of thick, soft white paper--

How it terrified me to find
Those snowy fields waiting for my
Tracks over them, snowshoeing my way
Up toward the timberline of reconnaissance.
I packed the sheets away beneath the desk

And at night they escaped and flew
Through the dim air of the quiet house
Like demanding, impertinent snowy owls
Until as in today, twenty years later,
I caught them and stroked their feathers
Like a mad composer corralling grace notes
And sostenutti and legato, legato.

You will have to let me come to you
I said, locking them in the fragrant
Drawer, putting one sheet
In the typewriter,
My hands upon its assembling
Resistance fighters,
The insurrectionist keys.


cc
copyright Jenne' R. Andrews 2011
All rights reserved.

10 comments:

Maggie said...

Wowie. What a good, good, write.

Anonymous said...

Oh, just lovely. The "timberline of reconnaissance," the old people, the owls, the stroked feathers. Living up to the introduction. K.

Kathy Bischoping said...

"Sostenutti" has so delicious a biscotti sound. That stanza of demanding owl and mad composer was especially beautiful.

Sioux said...

The last two lines were wonderful!

Maude Lynn said...

A beautiful piece. That's terror I can definitely relate to.

Laurie Kolp said...

Beautiful and very touching.

Jinksy said...

snowshoeing my way
Up toward the timberline of reconnaissance

Excellent way to describe the writer's struggles!

Ann Grenier said...

An amazing poem as always Jen. Love your creative metaphors, you are a master of this mind stretching/clearing out of the cobwebs or fog that dulls the mind of so many of us. Beautiful.

Tumblewords: said...

Very nice! The last stanza is outstanding!

Tess Kincaid said...

Ah...snowy owls...beautiful write, Jenne...