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Professor Jenne' Rodey Andrews, M.F.A., is a highly regarded American poet, critic and memoirist. Recent work has appeared in former Autumn House Publisher Michael Simms' Vox Populi (over fifteen poems) The Passionate Transitory, Belletrist Coterie, The Adirondack Review and elsewhere.

Andrews' current ms of poetry Beautiful Dust was a finalist for the 2014 Autumn House and she recently withdrew the work from Salmon Ltd, Ireland to protest unmoderated bashing of American writers by Irish writers on the press's social media pages.

Her most recent collection, Blackbirds Dance in the Empire of Love, lauded by Robert Bly and endorsed by poets Jim Moore, Dawn Potter and Patricia Kirkpatrick, appeared from Finishing Line Press 2013. A booklength collection Beautiful Dust was 2014 finalist for the Autumn House Press Poetry Prize and solicited by Salmon Press, Ireland. Turning on work set in the West and her native Southwest the collection is under submission to 2019 publication prizes.

Andrews is currently hard at work on two new memoirs: The Shame Garden: A Woman Writes of Isolation, Despair and Self-Redemption, which in intensely wrought and imagistic prose poetry chronicles the anatomy of shame; it is the poet's late-in-life tour d'force, sending the reader through Dante's circles of hell, the sewers of Paris ala Les Mis, mano a mano confrontations with the Alien mater familias, fusing literary and vintage cinematic works in an elliptical dance with human history and experience of being Other. The poet has no idea of what will become of this work but hopes it finds a home as memoir with a small press.

A four part interview with Andrews went live at poet Maureen Doallas's blog Writing without Paper in 2010.

Other collections include the full-length Reunion, Lynx House Press, The Dark Animal of Liberty, Leaping Mountain Press, and In Pursuit of the Family, edited and published by Robert Bly and the Minnesota Writers Publishing House.

Her work has been anthologized in Heartland II, Northern Illinois University Press, 25 Minnesota Vols. I and II, Wingbone: An Anthology of Colorado Poetry, Women Poets of the Twin Cities, Oil and Water and Other Things that Don't Mix, and elsewhere.

Essays have appeared in MPR's Magazine, The Colorado Review, The Twin Falls Times News, and miscellaneous journals.

IIt is Prof. Andrews' belief that one's collection of poetry must be judged on the quality of its craft, voice, and language, not its themes.


With Mr. Bly the memoirist Patricia Hampl wrote a forward to her first collection and is considered the "mother" of the modern American memoir although she arguably shares this title with Mary Karr for Karr's The Liar's Club. Andrews mentored Karr in Minneapolis when the former was circa 19.

Professor Andrews has had an illustrious teaching career at Colorado State University and the University of Colorado where she taught prelaw students in the making of argument and the issues-oriented seminar The American West. She was the highest rated instructor in the University Writing program during her tenure at Boulder.

Currently Professor Andrews writes daily at age 70, having been rendered housebound in 2007 in a fall from a horse, at home with her lover and companion of thirty years the fiction writer Jack Brooks, ten new poems a month, and is working on an additional memoir about her pioneer roots, "Territory Fever: The Story of an Albuquerque Family," posted as chapters are finished to Loquaciously Yours where the poet has produced over 450 essays in the past decade on a variety of topics as well as book reviews. Upcoming: a review of Ethna McKiernan's new Salmon Collection.

Ms. Andrews is also a Civil Rights Advocate advocating in 2019 for the civil rights of the poet Ping Wang who recently won the AWP Award for Memoir.

In 2015, after a long battle, Andrews extracted her MFA in Creative Writing/Poetry from Colorado State University, begun and finished in the 80's, self-advocating under the Americans with Disabilities Act. In fact Andrews was instrumental in the Colorado Commission on Higher Education's approval of the MFA at CSU.

She is a literary fellow of the National Endowment for the Arts, the Minnesota Arts Board Fellowship, was short-listed for a Bush Foundation Fellowship, and was full-time Poet in Residence for the St. Paul Schools from '74-78.

She lived in St. Paul from 1971-78 during the first wave of the Twin Cities literary renaissance, one of the first poets to inaugurate The Loft Literary Center, co-founding Women Poets of the Twin Cities which as noted boosted the careers of Mary Karr, Ethna McKiernan and others, and spent the summer of 1973 in Reggio Calabria, Italy which gave rise to the "voluptuous prose-poetry" memoir Nightfall in Verona posted in entirety here, designated by arts maven and former friend Caroline Marshall of NPR The Writer Reads as "fabulous."

Circa 2010 Andrews also founded a poetry group on She Writes which included Dawn Potter, Katha Pollock and other noteworthy writers, and supported the work of Meg Waite Clayton, fiction writer in addition to mentoring a number of other up and coming writers.

There is no way to estimate the influence on the lives and work of the some 12,000 students k-12 she met and encouraged in the seventies, but the poet James Tolan has attributed his career to her work as it was anthologized in Heartland II, Lucien Stryk, Editor. Professor Stryk read the title poem of In Pursuit of the Family on NPR.

As noted the poet lives in northern Colorado's Poudre River Valley with her husband, fiction writer Jack Brooks; the couple's daily life is centered around writing and enjoying their beautiful imported Golden Retrievers;-- see the Ardorgold website for details. Contact: jenneandrews2010@gmail.com.

Signed copies of the Blackbirds Dance collection, endorsed by James Moore, Patricia Kirkpatrick and Dawn Potter, are available from the poet. She posts new work below and is available for mentorship and virtual readings via Skype.

She is happy to critique ms. of poetry, fiction and memoir for a small fee.

Sunday, September 25, 2011

New Poem: Calling to Poseidon, a Rilke variation and Magpie....




 To read other Rilke "variations" posted here, which I've now collected into a chapbook manuscript The Garden Sings to Orpheus, use search box.  To participate in the lovely Tess Kincaid's Magpie Tales meme, link up there.  Her fine chapbook, Patina, is out from Finishing Line press. Thanks once again to Ruth and Lorenzo for posting the fascinating Rilke poems and prose excerpts at the web journal A Year with Rilke.


Calling to Poseidon

My blood is alive with many voices
telling me I am made of longing.

Rilke, My Own Deep Soul, Book of Hours

The body’s blood courses through
The heart
That babbling within
Is the voicing of the hot

Surging dark sap, the want
The outcry at dearth:

Of longing am I made
In longing I return.

And so I go to the closet
Then into the rain,
In my long black dress
My long black gloves.

I say storm
Batter me. I am a woman
Of blood and bone.  Drench me.
Renew my every passion.

It is as if I could part the waters
With the music of lack.
As if I could topple the mountain
With the force of my hunger.

And so I unleash my rage
At the roiling waters, their taunt
And failed promise—that I should
Be remade, not know myself

And the yearning incarnate I became.


 copyright Jenne' R. Andrews 2011


8 comments:

Tess Kincaid said...

To the closet...then the rain...I love that, Jenne. Beautiful write. And thank you so much for the mention, my friend.

Reflections said...

What it is about rain that makes us all dream of transformation of the self, purifying, purging darkness.

Chronicles of Illusions said...

oh this really is fabulous - I loved every line

Maureen said...

Lovely and lyric ode. I, too, fixed on the beauty of the lines "And so I go to the closet / Then into the rain" -- really wonderful!

moondustwriter said...

Excellent Jenne
yes I feel the passion, the rage the foaming of the waters...

erin said...

and this is why we should never wish for satiation or fulfillment, but only move toward it. longing/passion is our motor. without it we stand still.

it is as if i could part the waters with the music of lack. jezuzgod, this is beautiful. we are hungry mouths, aren't we? thank god for motors, or we would be stone.

xo
erin

Mystic_Mom said...

Lovely Jenne, just lovely. I've felt like that standing in the rain, you've crafted something strong and lovely here.

Ann Grenier said...

"Of longing I am made...", clearly the message embodied in the picture of the woman. Your interpretation feels authentic and perfect with or without the prompt, which is something I have been paying more attention to in my own writing.Beautiful.